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"(White Man) In Hammersmith Palais" is a song by the English punk rock band The Clash. It was originally released as a 7-inch single, with the b-side "The Prisoner", on 17 June 1978 through CBS Records. Produced by The Clash and engineered by Simon Humphries, the song was recorded (but not included on) for the group's second studio album, ''Give 'Em Enough Rope'' and was later featured on the American version of the band's debut studio album ''The Clash'' between the single version of "White Riot" and "London's Burning". ==Inspiration and composition== The song showed considerable musical and lyrical maturity for the band at the time and is stylistically more in line with their version of Junior Murvin's "Police and Thieves" as the powerful guitar intro of "(White Man) In Hammersmith Palais" descends into a slower ska rhythm, and was disorientating to a lot of the fans who had grown used to their earlier work. "We were a big fat riff group," Joe Strummer noted in The Clash's film ''Westway to the World''. "We weren't supposed to do something like that."〔Letts Don. (2001). ''The Clash: Westway to the World.'' Event occurs at 37:00.〕 "(White Man) In Hammersmith Palais" starts by recounting an all-night reggae "showcase" night at the Hammersmith Palais in Shepherd's Bush Road, London, that was attended by Joe Strummer, Don Letts and roadie Rodent and was headlined by Dillinger, Leroy Smart and Delroy Wilson. Strummer was disappointed and disillusioned that these performances had been more "pop" and "lightweight" similar to Ken Boothe's brand of reggae with Four Tops-like dance routines,〔 and that the acts had been "performances" rather than the "roots rock rebel()" that he had been hoping for. The song then moves away from the disappointing concert to address various other themes, nearly all relating to the state of the United Kingdom at the time. The song first gives an anti-violence message, then addresses the state of 'wealth distribution' in the UK, promotes unity between black and white youths of the country before moving on to address the state of the British punk rock scene in 1978 which was becoming more mainstream. Included is a jibe at an unnamed group who wear Burton suits, taken by many to be The Jam (though in an ''NME'' article of the time, Strummer claimed the actual target was the power pop fad hyped by journalists as the next big thing in 1978) and the lyric concludes that the new groups are in it solely to be famous and for the money. The final lines fret over the social decline of Britain, noting sardonically that things were getting to the point where even Adolf Hitler could expect to be sent a limousine in the unlikely event of flying into London.〔 The single was issued in June 1978 with four different colour sleeves - in blue, green, yellow and pink. This song was one of Joe Strummer's favourites. He continued to play it live with his new band The Mescaleros and it was played at his funeral. 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「(White Man) In Hammersmith Palais」の詳細全文を読む スポンサード リンク
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